WorldBeatUK (3rd Show)- Broadcast Notes (14/03/11)
Tagged with: WorldBeatUK Glyn Phillips Rhubarb Radio Cheik Lô Pressure Sounds Lee Perry Ranglin Jeremy Marre Inner Circle Vampisoul Majid Bekkas Tamikrest Soundways Poly-Rhythmo Owiny Sigoma Watcha Clan Rango Oy Moutinho Fexomat Chalice Gevende
Show Notes for 3rd WorldBeatUK world music radio show with Glyn Phillips
(broadcast on Rhubarb Radio - 14/03/11)
1 Jingle 1
Great show coming up this evening with quite an influence from Africa later on, as well as new releases and pre-releases from Watcha Clan, Lee Scratch Perry, Owiny Sigoma, Soundways, Vampisoul, Tamikrest, Orchestre Poly-Rhythmo, Pedro Moutinho, Sr Ortegon and Chalice.
But first off, some African reggae from Senegal’s Cheik Lô - this is “Warico Dub”.
2 “Warico Dub” Cheik Lô
Now this one’s for the reggae and dub heads out there. Just like to say thanks to Steve Williams of UKVibe for the heads-up on this one. Pete Holdsworth and record label Pressure Sounds have collated and released a very interesting selection of Dub Plate Mixes and Rarities recorded by The Upsetter himself, Mr Lee “Scratch” Perry, dating from 1973 to 1979. The album’s called “The Return of Sound System Scratch” (Pressure Sounds PSCD70) and it’s essentially a compilation of some of Perry’s more obscure - even extreme - recordings, most from the Black Ark period.
As well as Lee Perry there are many different variations of the Upsetters on this album with special guests such as Junior Murvin, Candy Mackenzie, Leo Graham, George Faith, Jimmy Riley and Jack Lord; there are also tracks by Aleas Juve, The Unforgettables and the Silvertones. Some of the tracks are previously unreleased and many are exclusive dub plate mixes; some are very accessible commercial tracks and others are pure Lee Perry fantasy world dub weirdness.
However, the cut I’m going to play is much more user-friendly and you don’t have to be swirling in a haze of holy herbalness to appreciate it. It’s by Candy Mackenzie & the Upsetters and is a previously unreleased track called “Long Enough”
3 “Long Enough” Candy Mackenzie
[Continuous - No Break]
4 “54-46” Ernest Ranglin ft Toots Hibbert
That was legendary Jamaican ska and jazz guitarist Ernest Ranglin on one of my favourite numbers “54-46”; I’m also a big fan of 634-5789 (by Eddie Floyd and Steve Cropper), 344-3025 (by Giraldo Piloto)! They don’t write numbers like that anymore… But hey, that just me! Vocals were from the equally legendary Toots Hibbert.
Now, while we’re still on a Jamaican tip, I want to play a very rare track recorded live during a field recording in Jamaica in 1977 for a documentary called “Roots, Rock, Reggae”. The documentary highlighted the real life street level music of Jamaica at a time when, apart from Perry Henzell’s “The Harder They Come” film, there was very little real film of music and life there getting out into the mainstream and even in Jamaica, reggae was viewed with scorn by many in power. And the guy who happened to be in the right place at the right time? Jeremy Marre. M-A-R-R-E.
Ring any bells? No? Well it should do - he’s the film-maker behind the legendary late 70s/early 80s “Beats of the Heart” documentary series on world music (from which this documentary comes) - this was before we even called it world music - an incredibly influential work documenting a seminal point in the global consciousness of the world’s music outside of the mainstream. Those of us involved today owe a big debt to pioneers like this.
Is he resting on his laurels? Nope. Last Month’s “Reggae Britannia” series on BBC was his, as was the brilliant series, “Latin Music USA” and also “Soul Britannia” as well as stuff on James Brown, Marvin Gaye, Phil Spector and more. Jeremy Marre, as they say, knows his onions!
For “Roots Rock Reggae” Marre had to play a sleight of hand trick with the Jamaican authorities at the time and pretend to be making a film about calypso and jazz to be able to get permission to film. Once there the team had to try and establish contact with reggae musicians on the ground amidst many difficulties and a background of gang wars, street violence and the mayhem created by the competing factions of the politicians Michael Manley and Edward Seaga.
It’s a fascinating documentary showing the reality of the late 70s for Jamaicans and the volatility which forged conscious reggae. It’s available (as are many of the re-issued “Beats of the Heart” documentaries) via the DVD label Digital Classics at www.digitalclassicsdvd.co.uk - I’ll try and put details up on my site later.
This track by Inner Circle was recorded live at an afternoon stage show in a Kingston street - complete with vocalist Jacob Miller berating the crowd beforehand for not behaving themselves! This is “Love is the Drug”.
* Inner Circle - “Love is the Drug” (audio from Roots Rock Reggae DVD)
Moving away from Jamaica we’re going to early 60s black urban America and the sound of early RnB from the vaults of King and Federal. Rhythm and Blues as world music. Yep! You’d better believe it.
The fantastic Spanish re-issue label Vampisoul has just released Volume 2 of their series RnB Hipshakers; this album’s entitled “Scratch That Itch” and this track is by a man who later was better known as a comedian, actor and film producer, Rudy Ray Moore. Most famous for his title role as the “uniquely articulate pimp” Dolemite in the 1975 Blaxploitation comedy film, this is Rudy Ray taking us all for a “Buggy Ride” . . .
5 “Buggy Ride” Rudy Ray Moore
Rhythm and Blues grew out of the Blues and here’s an example of how it all links back to Mama Africa. This is the Moroccan gnawa master Majid Bekkas from his 2002 album “African Gnaoua Blues” on the Belgian Sowarex Igloomondo label and a track called “African Blues”.
6 “African Blues” Majid Bekkas
Going south from Morocco over the Sahara you eventually end up in the desert area of northwestern Mali. We’re used to hearing the more southern sound of this vast country, but here’s a track from its Tuareg community 2,000 miles north of Bamako. Tamikrest are a young band who fuse more traditional Tuareg music and the Tamshek language with influences from Jimi Hendrix and Bob Marley.
Never underestimate the power of music - the band’s leader Ousmane Ag Mossa didn’t have access to even cassette tapes until 2000 around the time he started learning guitar - and what did he listen to? Dire Straits and Bob Marley. As he said “That changed my musical vision completely and I stopped to classify music. Music is just music, no matter where it comes from”. Amen to that.
Tamikrest’s new album “Toumastin” won’t be out until April 25th but here’s a preview from it. This is “Arantane N Tinariwen”
7 “Arantane N Tinariwen” Tamikrest
Well I’m REALLY excited about this next release - I’ve been jumping up and down for joy for a few days now. The brilliant British label Soundways specialise (amongst other things) in digging out the lost and forgotten recordings of the world’s most vibrant musical cultures. Here they focus on the music of Colombia’s Caribbean coast and the output of Curro Fuentes’ recordings from Cartagena. And this is a gem of an album, with Roberto Gyemant aided by Miles Cleret and Quantic’s Will Holland assembling some diamond moments.
It’s full name is “Cartagena - Curro Fuentes & the Big Band Cumbia and Descarga Sound of Colombia 1962-72” and it’s chock-full of goodies! Anyone who knows me knows my longstanding passion for cumbias (especially from the golden years) and I wasn’t disappointed with cumbia, porro, gaita, merecumbé and tamborera all thrown into the mix; however it was the descargas that really blew me away.
This is the wonderfully named Clodomiro Montes y el Super Combo Curro and a track called Puerto Rico Zuuuuuuumbando!
8 “Puerto Rico Zumbando” Clodomiro Montes y el Super Combo Curro
[Continuous - No Break]
9 “Pardon” Orch Poly-Rhythmo
The last track was “Pardon” from the Beninese afrobeat band Orchestre Poly-Rhythmo. Now then, that was a preview track from their new album called “Cotonou Club” which is to be released on the Strut label in a fortnight’s time. Amazingly it’s their first new album in 20 years! With five members of the original 1960s band, two from the 70s incarnation and three new members, they also invited guests Angelique Kidjo, Fatoumata Diawara and member of Franz Ferndinand on their new release.
Here’s another new release. Owiny Sigoma is a new band formed by the combination of a collective of UK musicians brought over to Kenya on a grassroots level cultural exchange programme to work with Nairobi based Joseph Nyamungu who plays the 8 string lyre, the nyatiti and drummer Charles Owoko who specialises in traditional Luo rhythms. The resulting album recorded in a disused factory outside Nairobi has subsequently been championed by Gilles Peterson and is to be released by Brownswood Recordings on April 18th with a special pre-release of the 12” single “Wires” exclusive to Record Store Day - that’s April 16th in case you didn’t know! - backed by a Theo Parrish remix. This is the original version...
10 “Wires” Owiny Sigoma Band
Staying with the London-Africa connection here’s some Township jazz from Barnet, North London by the excellent ‘Rhythm-&-Blues-and-everything-in-between’ band Big Chief recorded live outdoors at the Ealing Blues and Roots Festival last July and on their new album “On Broadway”. This tune is written by them and features a great horn section of John and Chris Fry and Ed Benstead blowing out on “Africa Rag”.
11 “Africa Rag” Big Chief
Now then, think Brazil and you think Samba, Bossa, Baile Funk, Forro, Axe, Maracatú, etc, etc - a whole semi-continent of rhythm. However this next band look Northward to a tiny island far far away - as many of us do - for our inspiration. The Orquesta Brasileira de Musica Jamaicana are part of the latin ska phenomenon currently ripping up latin dancefloors from Argentina to Venezuela. This is from their album “Volume 1” on the Scubidu label and is a re-imagining of “Tico Tico No Fubá”.
12 “Tico Tico No Fubá” OBMJ
[Continuous - No Break]
13 “Perfection” Boogat (Geko Jones/N Ron) - cuts before proper end!
14 JINGLE 2
Before the break you heard the track Perfection by Boogat (big shout out going to Geko Jones and N Ron in New York for that one).
Now, remember I was talking earlier about British label Soundways and their new album “Cartagena”? Well it’s so good I’ve just got to play another track. This is Crecencio Camacho y el Super Combo Curro and a tune called “Santana en Salsa”. The background to this cut is that after a night’s playing the band have just finished a gig and are now starting to play just for fun. This is a monster tune with a heavy, heavy, groove. Just intoxicating… Pa’ to’os ellos que le ‘usten la musica colombiana de lo’ años de oro!
15 “Santana En Salsa” - Crecencio Camacho y el Super Combo Curro
[Continuous - No Break]
16 “March of the Morons” Oy Division
You just hear the traditional Jewish sounds of the gloriously named Oy Division and “March of the Morons”.
Here’s another brand new release due out on the 4th April here: this time it’s Marseille’s global beat outfit Watcha Clan and a track from their new album “Radio Babel”. They’ll be playing in London tomorrow at the Rich Mix Bar in Bethnal Green Road E1 to promote the new album. This is a wonderful piece of dubsteppy reggae worldness entitled “Im Nin’alu”.
17 “Im Nin’alu” Watcha Clan
[Continuous - No Break]
18 “Sawakin” Rango
What you just heard was a track called "Sawakin" from an album entitled “Bride of the Zar” by the Egyptian based but Sudanese descended band, Rango, (no relation to the animated gecko currently at the cinema I might add). Their back story is too long to go into here, but includes mystic healing ceremonies, Sudanese trances, Nubian weddings, a 190 year old xylophone, an Arabian vampire, ghosts, aerosol cans, chickens, sardines and recycled aerosol cans. Intrigued? You will be! Please check them out at www.30IPS.com (which is their label) and the other bands there too.
I’m a sucker for Portuguese music and fado in particular; this is the lovely soothing sound of Portuguese singer Pedro Moutinho - in a duet with the luscious Mayra Andrade from Cabo Verde from Pedro’s album “Lisboa Mora Aqui” on the Uguru label. “Alfama”
19 “Alfama” Pedro Moutinho & Mayra Andrade
OK, let’s up the adrenaline with some heart-pumping salsa dura from the very talented producer, composer and musician, Señor Ortegon from Cali, Colombia. This is right on the money - “Fiesta de la Calle”
20 “Fiesta en la Calle” Ortegon
If you like Gypsy music and also like Breakcore then this one’s for you; some diamond-tipped Balkan Hardcore from Berlin: Fexomat and Sum and a remix of “Golden Days”
21 “Golden Days (rmx)” Fexomat & Sum
[Continuous - No Break]
22 “Celick Comak” Gevende
You’re listening to WorldBeatUK with me Glyn Phillips and you’ve just heard a track that I had to move from last week’s show, the Turkish psychedelic folk band Gevende and a track from their first album “Ev” on the Baykus music label called “Celick Comack”:
OK, I’m going to take it down slightly now with some smooth Jamaican soulful reggae, this is Chalice and “Caravan of Love”
23 “Caravan of Love” Chalice
Now last week I got into terrible trouble with my missus, who threatened to beat me around the head with a fryingpan because I played a track with lyrics she didn’t approve of. It was a mash-up between Bobby McFerrin’s “Don’t Worry, Be Happy” and something by Cobra and Beanie Man with some rather heavy Jamaican Patois. Now, to be fair I didn’t really listen to the lyrics and couldn’t understand much of it anyway, revelling instead in the musical juxtaposition of the sounds and rhythms involved (I am a drummer after all!). How was I to know he wasn’t going on about a small kitten?
So to set matters straight here’s a song with words that I completely understand and it really IS about the singer’s loving relationship with his girlfriend’s faithful feline companion. And if you choose to interpret it in any other way, then that’s your filthy minds, not mine . . . This is Robert Crumb (yes, cartoon fans, he of the steatopygically robust ladies) and the Cheap Suit Serenaders. You’ll pick the title up as you go along!
24 “My Girl’s Pussy” - Robert Crumb and the Cheap Suit Serenaders
Goodbyes, reminders for next week, thank yous, etc
NB: I'd like to thank Marc Reck for letting me have his slot!
I’m going to leave you with a real banger:
25 “Feelin Alright” Joe Cocker (Matty Blades remix)