WorldBeatUK (24th Show) - Broadcast Notes (17/8/11)
Tagged with: WorldBeatUK Glyn Phillips Makassy Fatoumata Diawara Sona Jobarteh Olefunk Orquestra Arab de Barcelona Folkincats Hurlevent Wesli Gadji-Gadjo Ravid Carles Denia Karamelo Santo Cumba Mela FestiByn DJ Supersonico Criolina Cartagena Soundways WorldMusic.co.uk
WBUK24 (17/8/11) - SHOWNOTES
1 “Intro-Mat” (1:47) by Matchatcha from the album “Nyekesse” (Melodie)
[Welcome. Music from Colombia, The Balkans, Brazil, Argentina, Andalucia, Catalunya, Canada, Mali, Gambia and the UK.]
Going to kick off with some music from East Africa from the great Orchestra Makassy.
This was a soukous band that originated in Kampala, Uganda with both Ugandan and Zairean musicians and later was based in Dar-es-Salaam and made up of Tanzanian and Zairean musicians including Kitenzogu "Mzee" Makassy, Mose Se "Fan Fan" Sengo, Tshimanga Assossa and Remmy Ongala.
Signing with Kenyan label AIT in the early 80s they were introduced to Virgin and recorded the album "Agwaya" in Kenya in 1982 - the first time they'd recorded each part individually rather than all at once.
The album went out of print but has since been relicensed to ARC Records and was released in 2005 as "Orchestra Makassy - Legends of East Africa" with two extra never-been-released tracks as well. This one's called "Zimbabwe".
2 “Zimbabwe” (5:00) by Orchestra Makassy from the album “Legends Of East Africa” (ARC)
I want to stay with Africa for the next few tracks but cross over to West Africa, to Mali, and this time a preview from a new album about to be released this September on the UKs World Circuit Records.
This is the beautiful Malian actress and singer Fatoumata Diawara, who recently appeared at Womad and a track called "Bakonoba" from her album simply entitled "Fatou".
3 “Bakonoba” (3:16) by Fatoumata Diawara from the album “Fatou” (World Circuit)
I’m going to return to Fatoumata Diawara in a few minutes, but first another lady who’s making waves on the seas of African music.
I first got into African music in the late 70s and early 80s and one of the very first artists I became aware of - through the radio show of my hero Alexis Korner was Amadu Bansang Jobarteh the kora player and griot from Gambia. The sound of the kora really resonated with me, although I had no idea what kind of instrument it was - no Google in those days folks!
In the 90s I came across the work of Kora player Toumani Diabate through his work on the Songhai project with Scotland’s Danny Thompson and Spain’s Ketama and also heard Tunde Jegede play kora to accompany the oldest recorded story in the world - “the Tale of Gilgamesh” as recounted by Storyteller Ben Mandelson. And now here I am listening to a new release from a member of the next generation of kora players.
Why do I tell you all this? Well, I want to give you an idea of the illustrious pedigree of my next artist. Kora players tend to come from one of only 10 great Griot families in West Africa (no matter which particular country or variation of spelling of their family name) and Sona Jobarteh of mixed UK and Gambian heritage can lay claim to one of the greatest. She is the sister of Tunde Jegede of the African Classical Ensemble, the daughter of Sanjally Jobarteh, the cousin of Toumani Diabate (most recently of AfroCubism and Ali Farka Toure fame) and the proud grand-daughter of the great Amadu Bansang Jobarteh. Kora players on the international circuit are few and far between and female ones virtually unheard of.
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Her new album, “Fasiya” (dedicated to her grandparents Amadu Bansang Jobarteh and Kumbunaa Jobarteh is released this year) is a truly beautiful work with each song featuring contributions from great musicians backing Sona.
She herself plays kora, as well as vocals, acoustic guitar, electric guitar, bass, nkora, udu, calabash, percussion and flute. I think we can safely says she’s a multi-instrumentalist.
The album mixes traditional instruments such as djembe, bugarabu, nyanyeru, balafon, sabar, dunduns, udu, Fulani flute, congas etc with drumkit and electric guitars.
The result works really well, Sona obviously feeling very relaxed at the fulcrum of this mix.
The album “Fasiya” (which means ‘Heritage’) is released by West African Guild Records. This is “Bannaya”.
4 “Bannaya” (4:19) by Sona Jobarteh from the album “Fasiya” (West African Guild Records)
And talking of mixes here’s Fatoumata Diawara and a bluesy track called “Clandestin”. She’s recorded a studio version of this track on her forthcoming album “Fatou” but this is the live version from her 4-track EP “Kanou” released earlier this year as a taster for the album.
5 “Clandestin (live)” (4:16) by Fatoumata Diawara from the EP “Kanou” (World Circuit)
I’m loving me stylistic mixes at the moment so here’s one from the Andalucian band OleFunk who - as the name suggests - mix flamenco with music of black origin (whether it be soul or funk or jazz).
From their eponymous album, this is “El Jardin de mi Locura” (The Garden of my Madness”).
6 “El Jardin De Mi Locura” (3:35) by Olefunk from the album “Olefunk”
Yeah, loving that. Now, we’re going to stay in Spain for a few more numbers, but this time to a cultural mix between Catalunya in the North-East of Spain and Arab North Africa.
This is the group Orquestra Arab de Barcelona and from their album “Maktub” (on Harmonia Mundi Ibérica) a moody track entitled “Mi Tierra” (My Land”).
7 “Mi Tierra” (6:36) by Orquestra Àrab De Barcelona from the album “Maktub”
The next band are also from Catalunya in Spain but they look Northward for their inspiration to the Manouche lands of Northern Europe.
This quartet adapt traditional Catalan songs and dances by incorporating gypsy jazz into the mix.
This is a wonderfully laid back piece entitled “La Dama d’Aragó” from their album “Folkincats”.
8 “La Dama d’Aragó” (4:22) by Folkincats from the album “Folkincats”
Last one from Spain for a bit - although we’ll be returning to Catalunya later on in the show.
This is OleFunk once more and a rocky/funky piece called “Para No Ir Al Infierno” (‘So as not to go to Hell’)
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9 “Para No Ir Al Infierno” (3:47) by Olefunk from the album “Olefunk”
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I’ve been playing quite a bit from Canada recently and I’m going to introduce another four artists today, starting off in a fairly traditional mode with a Quebecois folk from French-speaking Quebec province.
This is the flute and fiddle fronted quintet Hurlevent and a lovely track called “L’Aurore du Jour”
10 “L’Aurore du Jour” (2:41) by Hurlevent from the album “Amerix Artists”
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Sticking with the French-speaking Canadian theme - here’s something not traditional quebecois!
Originally from Haiti the award-winning Montreal-based musician Wesli is riding high at the moment.
This is a piece of Haitian-Canadian reggae by the name of “Doudou”.
11 “Doudou” (4:19) by Wesli from the album “Amerix Artists”
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[CONTINUOUS]
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12 “Andy’s Ride” (2:36) by Kleztory from the album “Amerix Artists”
You just heard the Canadian Klezmer band, Kleztory - and a track called “Andy’s Ride”.
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And to keep in a similar mood this is the Klezmo-Tzigane sextet Gadji-Gadjo concluding my Canadian corner of the show with a sort of Jewish-Gypsy mash called “Sher Evreiskii Nardnii Tanets” (which means something, something, something ‘Dance’!)
13 “Sher Evreiskii Nardnii Tanets” (3:04) by Gadji-Gadjo from the album “Amerix Artists”
[CHANGE CDs!!!]
[Don’t forget you’re listening to WBUK . . .]
Remember this is my last programme before early September - I’ll be back on air, all things being well, on Wednesday 7th September.
I’m going to go back to Catalunya now for a couple of tracks and this one is a rather sparse but beautiful piece by the artist Ravid Goldschmidt - who left his native Israel to study the world’s newest acoustic instrument, the hang drum.
Sounding like a sort of softer, more ethereal steel pan and played with the finger tips Ravid plays the hang accompanied on vocals by the brilliant Spanish cantaora Sílvia Pérez Cruz (who I was blessed enough to see last year with her own amazing all-female flamenco group Las Migas).
This track is called “Loca” (Crazy)
(1) 14 “Loca” (5:19) by Ravid from the album “Ravid Hang” (QE Records)
[CONTINUOUS]
(2) 15 “Tan Alta Com Va La Lluna” (1:06) by Carles Dénia I La Nova Rimaire from the album of the same name
That was a very short Catalan track called “Tan Alta Com Va La Lluna” by Carles Dénia I La Nova Rimaire from the album of the same name, played as a contrast to the voice of Silvia Perez Cruz in the previous number.
OK change of feel and pace now.
Time to fly over to South America now and in particular to Argentina.
This is by Karamelo Santo who I’ve played before on the show and it’s a remix by Fede Flores of a track called “Han Matado A Un Niño” (They’ve Killed a Child).
(3) 16 “Han Matado A Un Niño (Fede Florez remix)” (4:12) by Karamelo Santo
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[CONTINUOUS]
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(4) 17 “Galinha Zabele (Tumi remix)” (2:21) by Cumba Mela Collective
That was the Cumba Mela Collective and a little slice of Brazil remixed by Tumi and entitled “Galinha Zabele”.
And if that didn’t get you bouncing up and down in your seats, then this next one should.
The balkan band FestiByn and a track called “Dönme Bana Sevgilim”
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(5) 18 “Dönme Bana Sevgilim” (3:16) by FestiByn from the album “FestiByn”
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Any sexy ladies in the mood for some Balkan Dancehall Mashup?
OK, here’s DJ Supersonico and the Sistema de Sonido Urbano with “Get Busy”.
Turn your speakers up peeps - but just watch out for Tarzan!
Don’t say I didn’t warn you!
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(6) 19 “Get Busy” (3:22) by DJ Supersonico - Sistema de Sonido Urbano
[CONTINUOUS]
(7) 20 “Lourinha Americana (Criolina Remix)” (2:48) by Criolina Remix
[CONTINUOUS]
(8) 21 “Balkanski Bal (Bucovina rmx)” (3:10) by DJ Supersonico
OK, that was three in a row. You just heard DJ Supersonico and the Bucovina remix of “Balkanski Bal”; before that was the Criolina remix of “Lourinha Americana” and before all that DJ Supersonico and “Get Busy”.
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Don’t know about you but I fancy finishing off the show with some Old Skool Colombian dance music from the 60s and 70s - all from the great Soundways label.
First up is El Gran Romancito Y El Super Combo Curro from the album “Cartagena!” and we’re off to “Honolulu”!!
(9) 22 “Honolulu” (4:51) by El Gran Romancito y El Super Combo Curro from the album “Cartagena!” (Soundways)
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And with the help of Michi Sarmiento y sus Bravos we’re going all the way from Honolulu to “Hong Kong” from the album “Colombia!”
(10) 23 “Hong Kong” (3:53) by Michi Sarmiento Y Sus Bravos from the album “Colombia!” (Soundways)
Last up is the Latin Brothers and from the same Soundways album “Colombia!” and a classic track - “La Patrona de los Reclusos”.
(11) 24 “Patrona De Los Reclusos” (6:13) by The Latin Brothers from the album “Colombia!” (Soundways)
WorldBeatUK (22nd Show) - Broadcast Notes (27/7/11)
Tagged with: WorldBeatUK Glyn Phillips Daniel Nebiat Mohammed Diaby Yves Lambert Toy Hearts Mabon 9bach Bombino Joe Arroyo Dominguinhos Criolina Ze Paulo Alexandre Lima Big Landin Sexto Sentido Goldmaster Allstars Easy Star DLG Sabbo Ophex 4centers Z-Funkster DJ Lucio
WBUK22 (27/7/11) - SHOWNOTES
1 Intro-Mat 1:47 Matchatcha Nyekesse (Aimer La Danse)
Welcome to the show! Over the next couple of hours I’ve got lots of lovely tunes coming up on the show this evening with a few particular focusses.
We check out the New Canadians - mostly of African origin - as well as some Quebecois folk from French-speaking Eastern Canada.
We keep folky with music from Wales and the UK, check out a few more Womad acts and bring some Brazilian warmth and sunshine to our changeable British Summer.
Finally WorldBeatUK takes a fresh look at the Fab Four (yes, that Fab Four!) reinterpreted in a plethora of styles and we end with a welter of remixes, refixes and general mashups - with a few surprises thrown in for good measure - so make sure you stick around till the end of the show.
So, let’s start at the top and go to Canada. Forget Mounties and Lumberjacks, the New Canadians are a disparate bunch from all over the world, including latinos, Punjabis and Africans.
Whilst out at the Womex exhibition last year in Copenhagen I met up with a fascinating woman called Nadine McNulty who is both radio DJ in Toronto (for CIUT FM) and a promoter of African music. She pointed me in the direction of some of Canada’s new residents and their music.
I’ve played a few over the past few weeks including Cheka Katenen Dioubate and Saa Andrew Gbongbor, but I’m going to showcase a few more this week from East Africa, West Africa and Southern Africa.
First off is an artist described as "Toronto’s Krar Star”, Daniel Nebiat. Now, the krar is an East African instrument best described as a 5 or 6 string lyre, that is: a small hand-held harp.
Daniel Nebiat is originally from Eritrea that small country that lies along the coast of the Red Sea near the Horn of Africa and which only regained its independence from Ethiopia in 1993 after a 30 year war.
Nebiat describes his music as a mix of Eritrean Country and New Country - but don’t be thinking stetsons, cowboy boots and Hawaian slide guitars! The music mostly features traditional grooves in 6/8 time and is sung in Tigrinya, with support from the Sudanese Waleed Abdulhameed on bass amongst other things.
Nebiat fancied being a musician and originally took up playing the krar at age 12 when he saved up enough money through singing to buy one - his mother had other ideas however and chopped up his harp for firewood! He had to wait until he moved to Addis in Ethiopia when he was 17 before he could properly take it up again eventually ending up in Kenya for a couple of years before emigrating to Canada in 1996. This is the title track from his 2008 debut LP and it’s called “Hakimey”:
2 "Hakimey" 7:32 Daniel Nebiat "Hakimey"
Another African emigrant was guitarist, singer and composer Tichaona Daniel Maredza who only arrived in Toronto in 2008 from his native Zimbabwe.
As his publicity has it: “swooping down from the vast Zimbabwean plains … a guitar in one hand, a drum in the other and an mbira in his teeth”.
By December 2009 he’d formed a group the Tich Maredza Band with another Zimbabwean, two US ex-pats and a Colombian percussionist and hit the Toronto circuit hard with polyrhythmic grooves sung in Shona and English. This next track is called “Gadziriga”
3 "Gadziriga" 6:17 Tich Maredza Group - Zimbabwean-Canadian
This is the last of my New Canadians now - originally from Guinea in West Africa, the djembe drummer Mohammed Diaby started off at age seven and has had a full career since the age of fifteen as lead drummer with various dance groups and dance ensembles. The track I’m going to play here is from his 2007 album “Ala Na Na” (ie God Is Here) and is called “Yamama”, Yamama being a mask dance from the Samou region of Guinea utilising a rhythm of the Mandenyi people.
4 "Yamama" 3:08 Mohammed Diaby "Ala Na Na" Africa (Guinea)
OK, from Canadian African music to French Canadian music. Canada is almost two countries in one: the majority English speaking part and the Eastern French-speaking Province of Quebec whose inhabitants (les Quebecois) hold passionately onto their French language and francophile culture. And from that Francophone area we derive the next act.
The accordionist Yves Lambert is almost a living legend in Quebecois folk music both solo and for his 26 tenure with the cult band La Bottine Souriante and since 2004 with the Bebert Orchestra. However the track I’m going to play is from his Trio Yves Lambert which utilises just two other members of the Bebert Orchestra: Guitarist Olivier Rondeau and the fiddler and mandolin-player, Tommy Gauthier. This is a foot-stomping folk-tune called “Le Pere Tanasse”.
5 "Le Pere Tanasse" 3:20 Trio Yves Lambert avec Rondeau & Gauthier Quebecois
We’re going to segue from Canadian Folk to British Bluegrass! And in this case Birmingham’s very own acoustic bluegrass family the Johnsons, aka The Toy Hearts: Dad Stewart Johnson on dobro and banjo and his two daughters (now fronting the band), Sophia (on flatpicking guitar and vocals) and Hannah (lead vocals and mandolin).
The Toy Hearts have been gaining a lot of critical acclaim recently including from the ‘new rockabilly Queen’ Imelda May and legendary broadcaster ‘Whispering’ Bob Harris amongst others.
This is a single they released in October last year and it’s called “Femme Fatale”. Catch them while you can . . .
6 "Femme Fatale" (Radio Edit) 3:13 "The Toy Hearts" - Bluegrass
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Staying in the UK we’re going over now to the Inter-Celtic folk band Mabon (who - as the newly reformed ‘Jamie Smith’s Mabon’) will be playing live at Womad this weekend at the Radio 3 Stage - check ‘em out if you’re going).
So here’s a track from the original Mabon line-up taken from their award-winning 2010 Live album “Live at the Grand Pavilion” (on the Easy On The Records label).
This is one’s called “Fiddlers Despair”! (even though there’s nary a fiddle to be heard - and it features Jamie’s Smith’s accordion). Either way, it’s guaranteed to get you bouncing up an down in your seat!
7 "Fiddlers Despair" (Live) 3:45 Mabon "Live At The Grand Pavillion" (Easy On The Records, 2010)
Sticking with the Welsh Womad connection this is a less traditional take on Welshness and Celtic identity.
The band are called 9bach - but I’m not sure whether that should be pronounced as 9bach (with an English 9) or Nawbach (‘now-bach’) with a Welsh pronunciation of the number 9.
Anyway, their music has been described as Portishead meets early Fairport Convention, acid folk, ‘dungeon dark psych-folk’, folktronica and even ‘pastoral yet sinister’ and ‘attractive yet disturbing’. Hmmm. You can make up your own minds on this one.
They sing in Welsh (or should I say Cymraeg) and usually feature the voice of Lisa Jen. This track is from their 2009 album “Gwymon” and is entitled “Bythyn fy Nain” which translates as “Bythyn, my Grandmother”. 9bach/NawBach will be performing at Womad in Charlton Park this weekend and if you miss them they’ll also be appearing at the Moseley Folk Festival in early September this year.
8 "Bythyn Fy Nain" 4:42 9bach “Gwymon” (2009)
Also at Womad this year is Saharan desert rocker Bombino from Niger - I’ve played both him and this track before - but it’s good enough to play again.
This is from his recent album “Agadez” and is a track called “Tar Hani” (My Love)
9 "Tar Hani (My Love)" 6:31 Bombino "Agadez" Desert Rock (Niger)
Now some of you maybe aware that the great Colombian singer Joe Arroyo passed away yesterday at the age of 55 in Barranquilla after struggling with multiple organ failures.
I’ve written a full obituary of Joe for the website WorldMusic.co.uk (www.worldmusic.co.uk/joe_arroyo_dies_in_colombia_26711) under the News section - so you can read that for a more in-depth appreciation of his life and work.
Suffice to say that the latin world and tropical music in general has lost a true original and an amazing artist.
With scores of hits to his name, both with Fruko y sus Tesos and the Latin Brothers as well as his own band La Verdad, Joe wrote the soundtrack to his life.
I can’t do him justice here in this short space of time, so I’ll let his music speak for him: one of the greatest salsa tracks of all time on almost every level, this is the seminal “Rebelión”:
10 "Rebelión" 6.12 Joe Arroyo y la Verdad "Rebellion" (World Circuit 1989)
RIP Joe Arroyo who died yesterday.
Let’s stay in latin america for the next few tracks, but this time we’ll head south to the vast country of Brazil. We might not be getting all the sun and warmth we think we deserve in this country, but just close your eyes, listen to this music and you can almost feel that tropical tingle on your skin!
This is the Criolina re-edit of Dominguinhos’s forro entitled “Toque de Pife Sem o Brasil”:
11 "Toque de Pife Sem o Brasi"l 2:49 Dominguinhos (Criolina re-edit) Forro
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12 "Batom Vermelho" 2:58 Ze Paulo "Rough Guide to the Music of Brazil" Samba
[CHANGE THE CD!]
Don’t forget you’re tuned into Rhubarb Radio and listening to WorldBeatUK with me Glyn Phillips, your host for two hours of fantastic music from around the world.
You can hear WorldBeatUK every Wednesday between 7pm and 9pm (UK time) by logging onto www.rhubarbradio.com and I’ll bring you my own eclectic selection of old hits, new releases and ones that got away!
I’m going to carry on now with the Brazilian summer feel and this lovely, lilting live offering of samba pagode from the band Turma do Pagode and a track called ”Greve de Amor”:
(1) 13 "Greve de Amor" 2:31 Turma do Pagode "Turma do Pagode" Samba
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(2) 14 "Sunshine (Simples Cançao)" (3:05) by Alexandre Lima E Radio Experienza from “Meu Apartamento É Pequeno Mas Tenho O Lado De Fora Para Andar”
You just heard the a track called "Sunshine (Simples Canção)" by the Brazilian Alexandre Lima e Radio Experienza from his rather awkward but intriguingly entitled album “Meu Apartamento É Pequeno Mas Tenho O Lado De Fora Para Andar” (which translates as ‘My apartment is small, but I have the outside bit to walk around in’!).
Ok, let’s leave Brazil now and head into a section of the show that I’ve been planning for a few months now - gradually building a library of tunes I can use in it. This is all about the Fab Four! Yep, that Fab Four - Los Beatles - The Beatles.
Yes, you might well ask, what are they doing in a world music show? Isn’t that stretching the boundaries a bit? But folks, this is ME we’re talking about! You don’t think I’m going to give you the originals do you? No, no, no! Tish, tish! I’ve lined up half a dozen different versions and mashups that might have you either applauding or wincing in turn. I’ve no idea. But I like them!
First up we go to Venezuela and one of their great ska bands (yes, Venezuela does have great ska bands!!).
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This is La Big Landin Orquesta and from their album “SKAterriza” an early Beatles tune called “I Should Have Known Better”.
(3) 15 "I Should Have Known Better" 3:47 La Big Landin Orquesta "SKAterriza" Ska Venezolano
Yeah, ha ha! Well I liked it: "I Should Have Known Better" performed by Venezuela’s Big Landin Orchestra.
Incidentally when that was released by the Beatles it became a Number 1 in Norway in 1964.
Now inevitably this leads me onto the appalling murders in Norway last week. We can only imagine the horror of such events. It still seems unreal. Just like the States after 9/11, Norway is in a state of shock and fear. And this is the time for people to reach out to others.
This might seem hard to believe, but I’d already programmed this next track into my show the week before the news came out about Oslo and Utoeya and also about the death of Amy Winehouse. So please don’t think I’m cashing in with this one - it’s pure coincidence but I think a very valid contribution to the show.
As I said above this is a time to come together, look for commonality amongst each other not differences. It’s a mash-up by the Brazilian DJ Lucio K and it brings together Amy Winehouse and the Beatles. This is “Come Together Good”:
(4) 16 "Come Together Good (DJ LK MASHUP") (4:12) "Beatles vs Amy Winehouse - DJ LK Mashup" Rock/RnB Mashup
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(5) 17 "Eleanor Rigby (4Centers Remixxxxx)" (3:53) Beatles - Rockstep Mashup
Well there you had a dubstep version of The Beatles’ “Eleanor Rigby” remixed by 4Centers. A timely reminder to care for the distressed, mentally ill and lonely.
From a song of sadness and loneliness and neglect, to one of love and beauty - “Michelle” - and especially this treatment of it by Sexto Sentido.
Anyone that’s heard me play any music by these four Cuban women will have heard me wax lyrical about them. I just love them.
And this tune if ever there was, is a balm for the soul. It’s as if honey was made into music.
From their second album “Bossa Cubana” this is Sexto Sentido and “Michelle”
(6) 18 "Michelle" (5:52) Sexto Sentido "Bossa Cubana" Latin
Was that not just perfection on a plate? I defy any vocal group to do better! Aaaaaah!
OK, sticking with The Beatles theme still for another couple of numbers this is another tune I love and a version which I think equals the original.
From Southend on Sea this is the UK’s very own Goldmaster All Stars - a wonderful reggae and ska band - and their reggae version of “Don’t Let Me Down” from their album “Crossroads”:
(7) 19 "Don’t Let Me Down" (3:48) Goldmaster Allstars "Crossroads" Reggae
Wasn’t that good? Final one now in The Beatles themed section of the show.
This is a band I played last week for Lucy, the Easy Stars All Stars but this time featuring Luciano on vocals.
Here’s something that we could all do with: a little help from our friends . . .
(8) 20 "With A Little Help From My Friends" (3:13) Easy Star All-Stars Feat. Luciano "Easy Star's Lonely Hearts Dub Band" Reggae
Change of pace now and three remixes in the styles of Latin Funk, Baile Funk and Reggae.
First one is a tune that was well known to any salsero in this country at least who was around in the 90s.
Originally made famous by Juan Luis Guerra and later covered by other artists (including this version here which is from a Venezuelan band - but I don’t know which one I’m afraid) and here given a hard-edged latin funk remix by Z-Funkster this is going out to all ex-members of the 90s Brummie latin dance outfit Caramba - “Woman del Callao”
(9) 21 "Woman del Callao" (4:16) Z-Funkster "Azucah Selectah" Latin - Funk
Let’s rack it up a gear again.
All the way from Vilnius, Lithuania in the Baltic come the 21 year old remixer Karolis Rimkus aka Ophex.
This is a piece of what is I suppose Lithuanian folk put through Ophex’s kitchen blender and inspired by baile funk from the favelas of Brazil. It’s certainly different!
(10) 22 "Valkininkai" (2:54) Ophex "10.000 Kilometers From Rio" Baile Funk
Time for goodbyes now:
[Shout outs, reminders and thank yous, etc]
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This is a remix by Sabbo of the Everley Brothers hit “Bye Bye Love” mashed up with lyrics from Busy Signal.
So what more can I say but “Bye Bye”:
(11) 23 "Bye Bye (Sabbo beat-up)" (3:17) Busy Signal (Sabbo remix) Reggae
Just enough time hopefully to squeeze this one in. DLG and a lovely bachata called “Eres Mi Vida”.
(12) 24 "Eres Mi Vida" (4:52) DLG "Gotcha"
Womex 2010 - Editor's Highlights (part one)
Tagged with: worldmusic.co.uk world music Womex Copenhagen Denmark Koncerthuset Antonio Zambujo Papa Wemba LaBrass Banda Tremor ZZK Las Migas Criolina Glyn Phillips Reviews
Here at WorldMusic.co.uk we've recently returned from Womex 10 - the world's leading World Music Expo held this year in Copenhagen, Denmark. Over the space of five days it's a chance for the globe's leading movers and shakers in the sphere of world music to get together, meet new people, network, do deals, hear new bands and recordings and talk about the future of world music. We've had a great time with the other 2400 odd delegates, 1360 companies, 850 Festival and Concert bookers, 600 labels and distributors, 350 journalists and broadcasters and 300 artists.
Enough stats! Here is the first blog of my Womex 2010 highlights, taking in the first full day and night. Of the 40-50 official showcases, the 9 official 'unofficial' off-Womex showcases and the many unofficial showcases you can only take so many acts in no matter how hard you try and how organised you are. Of the ones I did manage to take in these are my standouts…
"a voice as pure as an angel's"
Antonio Zambujo currently Portugal's number one male fado singer - I've already writing a separate concert review of this (see under Reviews), but just to say, if you ever get the chance to see this man - go! Exquisite artistry and a voice as pure as an angel's - he had the audience utterly entranced and bewitched from the moment the first notes shimmered across the Koncerthuset. This guy and his band are stunning. (www.antoniozambujo.com)
"dancing in the aisles in musical ecstasy"
Later on that night in the same venue Papa Wemba the veteran Congolese rumbero had the audience dancing in the aisles in musical ecstasy - special mention must go to his solo encore track. Trust me, this guy didn't need a band behind him - he stood alone in front of a microphone at the edge of the stage and took us into his song; just Papa and his voice stripped naked. Once again the power of the human voice to haul our hearts up to new levels never ceases to astonish me. The audience of seasoned world music industry insiders agreed and clamoured for more. But there was no need for more - he'd said it all. Papa had sung his heart out. He bowed, turn around and walked off-stage. Priceless moment. (www.papawemba.fr)
"Great live band!"
Germany's LaBrass Banda take 'Oompah' music to a new level too! Ditching the unintentionally quasi-comic image of traditional Bavarian brass they come nearer to the Balkan heavy brass vibe (even in leiderhausen!) crossed with some heavy rock attitude. Difficult to describe, all I can say is that, as a live band these guys are very exciting indeed. Great live band! (www.labrassbanda.com)
"an utterly impelling groove"
Another band taking the traditional music of their country and giving it some serious 'rockismo' are the Argentinian band, Tremor. These three young guys, (Leonardo Martinelli, Camilo Carabajal & Gerardo Farez), mix the many elements of their country's rich musical heritage (Argentina's not all tango guys!!) and play charangos (tiny 10-string instruments - originally made from armadillo shells, now of wood), t'arkas (wooden flutes with a particularly harsh sound) and bombo legüero (the deep bass goatskin drum) with electric guitar, keys, loops and melodica! They take what seems a very unusual mix of instruments and what at first seems to be a sparse set and sound and create an utterly impelling groove powered in particular by Camilo's thundering bombo rhythms and punk attitude. As their press release said: "This is no languid lounge music . . . digital folklore for a new generation". Great festival band - and lovely guys offstage too! (www.zzkrecords.com/artist/tremor)
"a voice that could floor a man at a hundred paces . . . "
I only managed to catch the dying notes of Galician bagpiper Cristina Pato on the Sounds from Spain stage, but made sure I was well in place for the multinational Barcelonian flamenco band Las Migas. This was definitely one of my highlights of Womex: four beautiful - and extremely talented - women on violin/accordion, two Spanish guitars and cajon/vocals (accompanied by Andalucian percussionist Carlos Cortés Bustamante). The musicianship evident on-stage would be enough to make it to my highlights list on its own, but what really catapults them above other similarly talented bands is the stage presence of their lead singer, the cantaora Silvia Pérez Cruz. Seated upon her cajón centrestage, she is like a magnet to the eyes and ears - no mean feat considering the skills and charisma of her compañeras - and certainly for me that night she had the elusive duende so sought after in flamenco. Posture, grace, facial expression, delicate hand-movements and a voice that could floor a man at a hundred paces . . . She effortlessly travels between flamenco and jazz in the most subtle nuances of her voice. Offstage she is tiny compared to the brilliant guitarist (and curvaceously statuesque beauty!) Marta Robles Crespo, but onstage Silvia is like a queen holding court. As you can tell, she ruled my head, ears and heart that night. The reality is that the whole band were stupendous, the playful Lisa Bause (from Germany) swapping between violin and accordion, the slightly more serious Isabelle Laudenbach (France) on guitar, the effortless fluidity of Marta Robles and not forgetting the sympathetically subtle percussion of Carlos Cortes. I came not knowing at all what to expect - I left utterly converted. ¡Viva Las Migas! (www.lasmigas.com)
"Criolina rock!"
That first night finished off with a DJ set from three DJs (Oops, Pezao & Barata) from the Brazilian collective, Criolina. Hailing from Brasilia, the capital of their country, they have been together for five years, playing every Monday and pulling an average audience of 700 a time (yes, on a Monday!) with spin off nights in São Paulo and Rio de Janeiro. Only three of the five main guys came over for this, but what a show. It's not easy to get a large room of world musos rocking at 1.45 in the morning after they've worked all day long and then seen half a dozen or more amazing bands already that night, but these guys pulled it off. Working as one they selected, dissected, tweaked and twiddled over and around each other without let up as they shared one musical vision and one brain split between three bodies. What truly made them good was not so much the technical virtuosity they displayed whilst setting bits of one tune against the rhythm of another, but the choice of raw material they sourced it all from (and it wasn't just Brazilian music either). This was no boringly predictable mishmash of pre-programmed loops and beats from the myriad of DJ-software out there, but authentic tunes - real music - that would probably sound perfect played with no cutting and splicing anyway; and it's that quality that shone through - these guys really love the tunes they played. That's the way I like to DJ myself - if you can't get excited about the music yourself, how can you expect the audience too. It worked. I was knackered beyond belief when they came on and yet within a few minutes I was gyrating round the floor as if I'd just stepped out fresh and ready. By the time they hit the cumbias, I was good to go all night. Criolina rock! (www.criolina.com) - for a taste of what they actually played that night go to: soundcloud.com/criolina/sets/sistema-criolina-live-copenhagen-womex-2010
Glyn Phillips
WorldMusic.co.uk
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