WorldBeatUK (18th Show) - Broadcast Notes (29/6/11)
Tagged with: WorldBeatUK Glyn Phillips Mabon HOME Festival Dartington Thomas Brooman WOMAD WOMEX Fernhill Phil Stanton Rough Guide Coope Boyes Simpson Ian King Professor Elemental Uxia Ceu Seckou Keita Rory McLeod Farka Toure B B King Legouix Max Pashm Zeca Pegadinho
WBUK18 (29/6/11) - SHOWNOTES
WorldBeatUK 7-9pm this evening: Some folkin' good Folk with some folking good folkers, string driven things with veritable kings of African kora and a genuine King of Blues, Galician cuckoos, Brazilian café, Balkan Pashm, Sunflowers from Lola, a cracking Cuban big band, some very Rude Love from Mexico and a gentlemanly tannophile & his orang-utan butler . . .
1 “Intro-Mat” (1:47) by Matchatcha from the album “Nyekesse” (Melodie)
Welcome to the show and first off: Happy 7th Birthday to my youngest son, Lewys! Hope you’re having a lovely day! And if it’s a birthday that must mean a party! So without further ado, let’s join Welsh folkers Mabon for a Schindig!
2 “Schindig” (5:00) by Mabon from the album “Live at the Grand Pavilion”
Yeah that was the Welsh based Mabon - one of the most exciting folk bands on the UK circuit at the moment - I had the pleasure of seeing them last year at the Womex conference in Copenhagen and that was a tune called “Schindig” off their Award Winning album “Live at the Grand Pavilion” released last year. The newly reformed Jamie Smith’s Mabon will be playing at Womad in Charlton Park in about four weeks time on the BBC Radio 3 stage. So catch them if you can.
And from one Festival to another. I’ve recently come back from a brilliant small festival in Devon called the HOME festival which took place at Dartington Hall in Devon over one and a half days. It was co-founded by Thomas Brooman - one of the original founders of Womad - alongside a chap called simply Drum.
The idea behind the HOME festival is to try and present top-flight world music acts in a more intimate setting and in particular to present at least half of the performances completely acoustically. And when I say acoustic - I mean just that: NO amplification whatsoever! Hard to believe? Trust me it worked!
The venue was a 14th century hall in an old manor house and for many of the bands it was their very first time performing without mikes and speakers etc - but it was a resounding success. The audience needed to be silent but it was amazing how quickly everybody adapted.
And one of the bands who performed like this were the Welsh folk band “Fernhill”. Believe me, a great band to see live - the delicacy of the pieces, the seeming simplicity of the delivery, the strength of the arrangements all combined into a breathtaking concert. I’ve got to big up the voice of Julie Murphy in particular - in this large, incredibly high medieval hall her voice took on an almost 3-dimensional quality and took flight above our heads.
So here’s a flavour of Fernhill. This is from their album "Canu Rhydd" (which roughly translates as freeform poetry) and is a track called "Diddan". Oh and a big thank you to Jane Brace and Katrina Hurford of Dartington for looking after me and my brother - looking forward to next year already.
3 “Diddan” (5.53) by Fernhill from the album “Canu Rhydd”
and from Welsh Folk to English Folk...
Whilst at Home Festival I met Phil Stanton, the boss of World Music Network (the people that put out the Rough Guide series of CD - and “Introducing…”) . There are two new CDs from the RG range, to be released …when?…. - English Folk and Brazilian Cafe.
Explain concept of RG and of the bonus CDs.
I’m going to deal with the folk album first coz we’re still in the British folk section of tonight’s show. This track is actually from the bonus CD which comes free with the RG TO EF - and is a compilation devoted to the work of Yorkshire acapella singers Coope, Boyes & Simpson.
- explain about Jerusalem and Froots etc.
This is a short piece called “Uttoxeter Souling Song”
4 “Uttoxeter Souling Song” (1.18) by Coope, Boyes & Simpson from the album “RG To English Folk” (Network)
.jpeg)
From main album: explain when I first heard this tune (early 80s - Sheffield, Oscar The Frog etc, …
5 “Adieu to Old England” (4.41) by Ian King from the album “RG To English Folk (Network)
Link from saying goodbye to Old England to the Prof and his quest for the golden frog.
remind people of Prof’s website www.professorelemental.com and that the remix album “More Tea” is due out on Monday July 4th…
6 “The Quest for the Golden Frog” (Tom Caruana remix) (3.49) by Professor Elemental from the album “More Tea (Remixes)
.
[CONTINUOUS]
.
7 “O Cuco a Cantar” (3.26) by Uxia (with Fred Martins) from the album “Meu Canto” (do Fol Musica)
Explain about Uxia - then Brazilian connection, into the second of WM Network’s Rough Guides - Brazilian Café (concept about café)
.
8 “Comadi” (3.33) by Céu from album “RG to Brazilian Café” (Network)
.
.
Mention Home Festival again. . . and Seckou 50% of sales to Red Cross charity. Explain 'Silimbo'.
9 “Mande Arabe” (6.08) by Seckou Keita Quintet from the album “The Silimbo Passage” (World Artventures)
Flag up Rory McLeod at the Kitchen Garden Café - Sunday 3rd July - Rory McLeod - Kitchen Garden Cafe, 17 York Road, KH, Bham (World Unlimited) 7.30pm
.
Here’s what I said about RORY MCLEOD a few weeks ago, worth repeating:
“He carries with him that same mixture of idiosyncracy and integrity as people like Ash Mandrake, Roy Harper etc. I think it’s safe to say that Rory is an underground legend. Described variously as an amazing folk artist, traveller, troubadour extraordinaire and a one-man folk orchestra, Rory plays a multitude of instruments including trombone, harmonica, spoons, djembe, bandorea, guitar, finger-cymbals and tapshoe-driven stomp-box! He’s played and recorded with people like Ani Di Franco, Taj Mahal, Kathryn Tickell and Ali Farka Toure amongst many others.
I had the pleasure of performing with him back in the 90s right here in Birmingham - a great musician, and a true gent to boot. Luckily for us here in Brum he’s come down from the Orkneys and will be performing on Sunday 3rd July at the Kitchen Garden Café, Kings Heath, courtesy of World Unlimited.
I urge you to go along - you will be drawn into his unique world and emerge with your senses buzzing.”
10 “Going Song” (5.52) by Rory McLeod from the album “Travelling Home” (Cooking Vinyl)
Here’s Rory with Ali Farka Toure:
11 “Roucky” (8:19) by Ali Farka Touré from the album “The Source”
The Source = the source of the blues and here’s how most of us remember the blues - BB King and the “Thrill is Gone”
.jpg)
12 “The Thrill is Gone” (4:58) by B.B.King from the album “The Best Of Blues”
.
.
.
.
Back to Africa and Ali Farka Toure - combined with the King of Kora, Toumani Diabate - the last album they recorded together ...
13 ”Sabu Yerkoy” (4:09) by Ali Farka Touré & Toumani Diabaté from the album “Ali & Toumani” (World Circuit)
FLAG UP: Monday 4th July - Vieux Farka Toure - UK release, new album “The Secret” on Six Degrees Records
14 “The Secret“ (6:51) by Vieux Farka Touré from the album “The Secret”
.
.
.
[CHANGE THE CD!!]
- - - - - - - - - - - - - - - - - - - - - - - - - - - -
Change of mood and pace - leave Africa and come back to the UK - explain about Alexandra and her fusion stuff - here more latiny
(1) 15 “Time to Go” (3:33) by Alexandra Legouix & the Sunflowers from the album “Lola”
Flag up SUBVERT at the W&H: this Saturday 2nd July- Johnny Kowalski and the Sexy Weirdos (Balkan Gypsy with brass and fiddle, and the Damnbusters (Ska Classics), Lobster (Ska/punk, Sam Maloney (acoustic) plus DJs… 8 til late (£2 b4 10pm / £4).
Balkan bit leads into Max Pashm (& replug Home Fest)
(2) 16 “Manea K” (4.47) by Max Pashm from the album “Never Mind the Balkans”
[CONTINUOUS]
.
(3) 17 “Gettin Down” (3.06) by The Brand New Rhythm from the album “Let’s Boogaloo Vol 3”
Last one just a bit of fun - no plugs to do for the rest of the night; so over to Brazil first for Zeca Pagodinho and his song “Vai Vadiar” which roughly translates as ‘going astray’.
.
(4) 18 “Vai Vadiar” (4.07) by Zeca Pagodinho from the album “Serie Sem Limite” ()
.
.
(5) 19 “Rude Love” (4.57) by Althea & Donna vs Rihanna (Outsider 8301 remix)
.
.
.
[SHOUTOUTS, thank yous, announcements, etc]
Happy Birthday to Lewys!
(6) 20 “Tumbao a Peruchin” (4.40) by Alfredo Rodriguez from the album “Cuba Linda” (Hannibal / Rykodisc 1996)
WorldBeatUK (14th Show) - Broadcast Notes (1st June 2011)
Tagged with: WorldBeatUK Glyn Phillips Rory McLeod Owiny Sigoma Fatamouta Diawara Saucejas Dagadana Los de Abajo Ikebe Shakedown Olufemi Vieux Farka Toure Barbad Gil Scott Heron Cedric Brooks Omi Akwaaba Karlon Rootsmamas Babayaga Canelason Pornoson Brownout
WBUK14 (1/6/11) - PLAYLIST
1 “Intro-Mat” (1:47) by Matchatcha from album ‘Nyekesse (Aimer La Danse)’ (Melodie)
You’re listening to Rhubarb Radio, my name’s Glyn Phillips and welcome to WorldBeatUK - 2 hours of the best world music from around the globe. Coming up on the show tonight we’ve got music from the USA, France, Spain, Jamaica, Iran, Portugal, Mali, South Africa, Kenya, Mexico, Sweden, Poland, Latvia, Russia and the UK. So stay tuned to WorldBeatUK as I take you around the world in weighty grooves . . .
Now first off a little plug for a gig that’s happening right here in Birmingham, this Saturday the 4th June - just around the corner from where I’m sitting in the Custard Factory in Digbeth, Birmingham - at the Wagon & Horses, Adderley Street. I’ve been rehearsing with a new nine-piece band recently called Kilombo and it will be our debut gig. The band plays a mixture of afro-centric based musics including merengue ska, soca-cumbia, bolero, bossa, rumba, jazz-funk and rhythm & blues and we formed it just for some fun - the chance to play the music we like without having to fit into some kind of marketing label.
If you fancy coming along, then the night starts at 8, goes on till 3am and will also feature dub band Relative and a fistful of DJs including Skeleton, Marc Reck, the Jam Jah DJs and more. And it’s all FREE!
For a little taste of what Kilombo play, here’s one of the tunes we’re going to be performing on Saturday. This is a ska version by the St Petersburg Ska-Jazz Review of the Zimbabwean classic “Skokiaan”:
2 “Skokiaan” (3:23) by St Petersburg Ska-Jazz Review from album “Too Good To Be True” (Megalith Records)
Another plug now, this time for the Celebrating Sanctuary Festival 2011 in London on the 19th June on the South Bank. As the name suggests it refers to raising awareness of the plight of refugees during Refugee Week (which takes place 20th -26th June). I’ll be featuring some of the artists involved in the Festival over the next couple of weeks or so on this show and first up is the UK’s Rory McLeod.
He carries with him that same mixture of idiosyncracy and integrity as people like Ash Mandrake, Roy Harper etc. I think it’s safe to say that Rory is an underground legend. Described variously as an amazing folk artist, traveller, troubadour extraordinaire and a one-man folk orchestra, Rory plays a multitude of instruments including trombone, harmonica, spoons, djembe, bandorea, guitar, finger-cymbals and tapshoe-driven stomp-box! He’s played and recorded with people like Ani Di Franco, Taj Mahal, Kathryn Tickell and Ali Farka Toure amongst many others.
I had the pleasure of performing with him back in the 90s right here in Birmingham - a great musician, and a true gent to boot. Luckily for us here in Brum he’s come down from the Orkneys and will be performing next month at the Kitchen Garden Café, Kings Heath, courtesy of World Unlimited. I urge you to go along - you will be drawn into his unique world and emerge with your senses buzzing. And talking of buzzing - this is Rory McLeod and a track from his new album (“Swings and Roundabouts”) called “Lassooing the Bees”!
3 “Lassooing the Bees” (4:00) by Rory McLeod from the album “Swings and Roundabouts” (Talkative Music - Talk004)
Wasn’t that fun! OK yet another plug now! Over the last few weeks I’ve been playing material from the debut album of an anglo-kenyan band called Owiny Sigoma. They are having their inaugural concert on Monday June 6th at Café OTO in Dalston, London. So here’s a track from their album - also called Owiny Sigoma, on Gilles Peterson’s Brownswood Recordings label - this is a tune sung in English called “Here On The Line”.
4 “Here On the Line” (4:12) by Owiny Sigoma Band from album ‘Owiny Sigoma Band’ (Brownswood Recordings)
Meanwhile over in West Africa we come across the Cote D’Ivoire born, Mali raised singer Fatoumata Diawara (who I first came across last year singing backing vocals on the AfroCubism CD). Fatoumata will be playing the support slot for AfroCubism at their Royal Albert Hall concert on 27th June this year, but in the meantime here’s a preview from her forthcoming album (“Fatou”) to be released by World Circuit in September. This track is called “Kanou” and it’s just been released as an EP on digital download (check iTunes, Amazon, etc).
5 “Kanou” (3:56) by Fatoumata Diawara from EP ‘Kanou’ (World Circuit)
Ok let’s leave Africa for a while, and travel far to the North of Europe to the Baltic Sea for the next few numbers. First up is a choir called Saucejas from the small country of Latvia sandwiched between Lithuania and Estonia. They specialise in choral folk music and this tune is called “Nekukoji, Dzeguzite” which translates as ‘Stop calling, Cuckoo’.
6 “Nekukoji, Dzeguzite” (Stop Calling, Cuckoo) (2:50) by Saucejas from album ‘Native Music 5 - Latvia’ (Latvian Music Information Centre)
Just down from Latvia and Lithuania is Poland where you can find the young folk-pop trio Dagadana (formed by Dagmara Gregorowicz and Dana Vynnytska). A few months ago I featured them in an article that I wrote for WorldMusic.co.uk on the state of Polish world music after hearing their album “Malenka” (Offside Records 005) which was awarded the Polish Fryderyk Award for Folk/World Album of the Year 2010.
They’ve just contacted me to tell me about their forthcoming album “Dlaczego Nie” (which translates as “Why Not?”) and to share the first single from the album : “Wszystkie Maja Po Chlopoku” (Every girl has a man) which is their innovative and very jazzy take on a folk song sung to them by their mothers when they were just kids. The album won’t be released until Autumn, but here’s a taste of what they do.
7 “Wszystkie” (Every Girl Has a Man) (4:13) by Dagadana from album ‘Dlaczego Nie (Why Not?)’
Meanwhile on the other side of the Baltic Sea lies Sweden. This next band is a trio formed by Pelle Björnlert on Fiddle, Johan Hedin on Swedish nyckelharpa and Eric Pekkari on zither, two-accordion and fiddle. They tend to specialise in very old Swedish folk music and this is no exception. This tune is called “Flageolettpolska”.
8 “Flageolettpolskan” (2:58) by Pelle Björnlert, Johan Hedin & Erik Pekkari
Staying in Sweden but with a far more contemporary approach to folk is the duo Jonas Knutsson and Johan Norberg. In fact it’s almost folk-jazz, especially because for this album they’re joined by the wonderful German double bassist Eva Kruse who contributes this piece of Bavarian folk to their repertoire. This is called "Schwarzer Bua”.
9 “Schwarzer Bua” (3:15) by Jonas Knutsson & Johan Norberg from album ‘Skaren: Norrland III’ (Act)
OK, enough Nordic intensity for the moment - let’s have some fun. Everybody aboard the long-haul flight to Mexico City for the next one - Mexico’s ska-punk rebels Los de Abajo (Those From Below) and a rather groovy track full of swagger and street attitude called, naturally enough, “Actitud Calle”:
10 “Actitud Calle” (4:59) by Los De Abajo from the album “Actitud Calle” (Wrasse Records)
And from one great New World metropolis to another, New York! But maybe not as you expect. Most people associate afrobeat with West Africa - especially Nigeria and Ghana, but this next band are from the Big Apple itself and mix very, very convincing afro-beat with afro-funk, cinematic soul, deep disco and boogaloo that features a mighty horn section anchored by tight deep-pocketed grooves. The band - from Brooklyn - is called Ikebe Shakedown, the album is also called “Ikebe Shakedown”, it’s on the Ubiquity record label and this track is called “Asa-Sa”:
11 “Asa-Sa” (5:06) by Ikebe Shakedown from album ‘Ikebe Shakedown’ (Ubiquity)
[CONTINUOUS - CONTINUOUS]
12 “Ori Mi” (5:03) by Olufemi from album ‘Just In Newtown’
[ - Change CD! - Change CD! - ]
The last track was by the South African based, Nigerian saxophonist and composer, Olufemi from his debut album “Just in Newtown” and a track called “Ori Mi”.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Now, there can’t be many world music fans who haven’t heard of Ali Farka Toure the Malian guitar maestro who was very much responsible for the initial successes of British record label World Circuit. Ali died 7 years ago, however, in that time his son Vieux Farka Toure has gradually emerged from the giant shadow of his father to become a respected musician in his own right.
Last year he performed to a television audience of a billion people in Johannesburg, South Africa during the World Cup. Vieux will be performing in the UK next month - 16th July at the Larmer Tree Festival and 30th July at Womad in Charlton Park.
Vieux has a new album out next month on the 4th July on the Six Degrees record label. It’s produced by Soulive’s Eric Krasno and features contributions from Derek Trucks of the Allman Brothers, John Scofield and Dave Matthews. The album is called “The Secret” and I have a preview of one of the songs right here for you. This track features Derek Trucks and is called “Aigna”:
(1) 13 “Aigna” (Feat. Derek Trucks) (4:53) by Vieux Farka Touré from album ‘The Secret’ (Six Degrees)
[CONTINUOUS - CONTINUOUS]
(2) 14 “Duet Flamenco” (2:13) by Vahid Hajikamali from album ‘Duet Flamenco’ (Barbad Records)
You just heard a track called “Duet Flamenco” from an album of the same name from - of all places - Iran! I have next to no details apart from the name Vahid Haji-kamali and that it was released by Iran’s Barbad Records sometime between 2007 and 2009. But I like it!
Also from my same Persian sampler is the following excerpt, originally from a soundtrack album for the box-office breaking Iranian film “M for Mother”, the music for which was composed by Arya Aziminejad who has worked with people like Peter Gabriel and Jocelyn Pook. This is called “As Time Goes By”:
(3) 15 “As Time Goes By” (1:43) by Arya Aziminejad from album ‘M For Mother’ (Barbad Records)
So beautiful and wistful and sad!
And here’s some sad news. It is with a profound sense of loss that I have to report the death on Saturday last of the great poet and singer Gil Scott Heron. He died at the age of 62 after returning from Europe from a virus, I think, that he picked up over here. A young age to die, but a man who in his years did as much as any and more than many to raise the consciousness of all those that came across his music and message.
A man of deep thought and incisive observation, Gil crafted magnificent opuses of life-changing and life-affirming positivity which he often set against minimal percussion and backing. The internet has been awash since Saturday when the news broke of his death with people of all ages and backgrounds testifying to the effect that Gil had on their lives, me amongst them.
The teacher is dead, but his lesson goes on. For a world music show like this, what other song than his reggae-based homage to the power of music and word; from the 1983 album “Reflections”, this is “Storm Music”:
(4) 16 “Storm Music” (4:59) by Gil Scott-Heron from album ‘Reflections’ (Sony)
[CONTINUOUS - CONTINUOUS]
(5) - Reggae City Ad Jingle (1:05)
[CONTINUOUS - CONTINUOUS]
(6) 17 “Mun-Dun-Gu” (3:16) by Cedric Brooks (Bamboo)
That last majestic track was “Mundungu” by the Jamaican saxophonist and flautist Cedric Brooks famous for his work with The Skatalites, The Light of Saba and - of course Count Ossie’s rasta outfit the Mystic Revelation of Rastafari. Cedric recorded that track under the moniker Sound Dimension - and it’s a killer! “Mundungu”!
If you like that track, then you can hear it played live by my new band, El Combo Kilombo, which - as I mentioned at the top of the show - is playing its debut gig at the Wagon & Horses, right here on Adderley Street, Digbeth in Birmingham this Saturday 4th June.
Kilombo play a mixture of musics from afrocentric bases including soca-cumbia, merengue-ska, nyabinghi-reggae, Township-jazz, bolero, rumba, bossa, jazz-funk and rhythm & blues.
It’s a free event starting at 8pm and going on till about 3am; it’s called Subvert and besides Combo Kilombo there’s the live dub band “Relative” and DJs including Rhubarb’s very own DJ Marc Reck, as well as Skeleton the Jam Jah DJs Robin Giorno and Bongo Damo as well as Christy, Dodgy Greg and Stalingrad - so there’ll be plenty of Reggae and Dub magic to keep you happy - and it’s all FREE! Yep not a penny on the door!
Ok, let’s go to Jamaica and to a new artist - to me at any rate. This is Omi who’s just been signed to Clifton Dillon’s Shang Records label and a love song called “Cheerleader”:
(7) 18 “Cheerleader” (2:56) Omi (Shang Records)
Now, the Akwaaba record label have been very active recently and one of their recent projects was to celebrate last week’s Africa Day which took place on the 25th of May. They decided to release an EP called “Mama Africana” in homage to one of the most emblematic figures of Africa - the Woman, the mother with her baby on the back carrying and selling goods, bringing food to the table at the end of the day.
Mpula from the band Batida took a hook from a classic 1960s Angolan Semba “There Goes Maria” and then challenged some of his favourite MCs to build a poem around this concept. The three versions selected are on the EP.
Here’s the contribution of Portuguese afro-rapper Karlon (aka Kota K) who talks about the generosity of the women in his life and his neighbourhood, mostly immigrants from Cape Verde.
This is “Lá Vai Maria” - There Goes Maria:
(8) 19 “Lá Vai María” feat. Karlon (3:36) by Batida from EP ‘Mamã Africana’ (Akwaaba)
Here’s an interesting cumbia refixed by Goy Karamelo; originally by the Barcelonian duo of Susana Abellán and Diana Feria - better known as the Rootsmamas, whose philosophy is “Life is simple, all is love, enjoy in peace”. And you can’t say fairer than that! This is “La Trampa”
(9) 20 “La Trampa” (4:04) by Rootsmamas (Goy Karamelo refix)
A nice bit of cumbia-pop there. And now some Balko-Klezmer fusion from Clermont Ferrand - this is a track called “Yvan Oreille D’Ours” by the French band Babayaga:
(10) 21 “Yvan Oreille D’Ours” (3:22) by Babayaga from “1er Album”
Staying with the French connection this is a track by the French latin-hip-hop band Canelason from their album “Sin Pasaporte” (without passport) and a track featuring Racko, called “La Rumba”. Let’s see if this gets you in the mood for moving . . .
(11) 22 “La Rumba” (Featuring Racko) (3:31) by Canelason from album ‘Sin Pasaporte’
OK, almost at the end of the show. And appropriately enough - since this is going to be the XXX rated part . . . 'What’s he going on about?' I can hear you thinking.
Well this next band are from New York and started out as a salsa and timba band led by the Cuban bassist and timbero Danny Rojo; however after a few years of playing standard fare, Danny started changing the lyrics of their tunes in the heat of the moment whilst doing gigs and, shall we say, ‘spicing’ up the words and commenting on the dancers in front of him. His new lyrics really added to the sexually charged atmosphere on the dancefloor and went down well with their fans.
From that moment they’ve never looked back and so they changed their name to Pornoson. Yep, that’s what I said, Pornoson. Just be careful when you’re googling it - you might get more than you bargained for… missus! Their stage show apparently makes Cuban timba legends, La Charanga Habanera look like choirboys - which makes the mind boggle, since I saw La Charanga Habanera on a couple of occasions in the 90s and can attest to their effect on the libido!
For those of a delicate disposition, fear not - it’s all in Spanish - so you’re safe (or deprived, judging on how you see it!) unless you’re a Spanish speaker in which case: disfruta a las delicias de la salsa pornografica! However, the music - which they describe as afro-cuban funk rock - is good quality whatever your attitude to the lyrics including people like Eddie Venegas on trombone and violin, Batanga on tres and electric guitars and the great Luisito Quintero on drums and percussion. So here you go, great music, raunchy lyrics - this is Danny Rojo y su Pornoson and “Nena La Playera”. Enjoy!
(12) 23 “Nena La Playera” (5:50) by Pornoson from album “Ah Sing Are” (Dan Red Music)
OK, that’s it for this week. Thanks . . .
(Shoutouts, don’t forget Kilombo at Wagon & Horses this Saturday, etc)
I’m going to leave you now with a wonderful bit of descarga workout from Texan latin funksters Brownout - this track is “Homenaje” from the album of the same name. Trust me, this is some serious groove. Good night!
(13) 24 “Homenaje” (3:28) by Brownout from abum "Homenaje" (Freestyle Records)
1
